- Name that musical! (If you got my geeky show-tune title reference, congratulations. You are officially awesome). So, it's been a while since I last blogged (is that a real word?), it's about time for a little update!
Emma Stevens Support
First and foremost, some info on my next gig. I will be supporting the wonderful Emma Stevens when she comes to Newcastle on her UK tour. The gig is on TUESDAY 15th APRIL AT THE CLUNY. I'm really looking forward to seeing Emma and her band play live, watch the video below to get an idea of her sound.
Tickets are £12 on the door or £10 in advance - or I can sort you out with a sweet deal - get in touch on Facebook or email me at info@meghannclancy.co.uk
Grassington Festival
Another gig announcement - I will be performing at the wonderful Grassington Festival in June! Not only is Grassington my home town (home village?), but it hosts a fantastic arts festival for 3 weeks every year, this year headliners include Heather Small and The Boomtown Rats, as well as comedian Omid Djalili.
I will be playing at the Octagon Theatre on Sunday June 22nd, at a variety evening with spoken word from Ray Snape, and more music from local legends Slack Alice.
My last few posts were all about my charity single, 'Baby of the Storm'. I am pleased to tell you that so far we (including gift aid), we have raised over £450 for the Disasters Emergency Committee! Thank you so much to anyone reading this who kindly donated to the cause, and anyone who watched and shared the music video, I hope you enjoyed it :)
BUT - it's not over yet. The DEC do some really invaluable work. One of their biggest recent appeals is the Philippines Appeal, which 'Baby of the Storm' is all about. However, any money donated will not go just to that, but to new and ongoing appeals, such as the Syria Crisis. To quote their website:
The
DEC brings 13 leading UK aid charities together in times of crisis:
Action
Aid, Age International, British Red Cross, CAFOD, Care International,
Christian Aid, Concern Worldwide, Islamic Relief, Oxfam, Plan UK,
Save the Children, Tearfund and World Vision; all collectively
raising money to reach those in need quickly.
So, dig deep people!! If you would still like to make a donation, please visit my Virgin Money Give page. And if you didn't see the music video yet, here it is!
AND REMEMBER - if you donate, as a huge thank you from me, you get your very own download of the song.
Peculiar Disco Moves
If you follow me on Facebook or Twitter (if you don't you totally should...) then you may have seen I have recently become the newest member of the band Peculiar Disco Moves. Described as "a bunch of North Eastern waifs and strays who form highly addictive pop songs with off-the-wall lyrical tirades", I've had a lot of fun with these guys so far! Already played a couple of gigs, I'm still trying to master swapping between tambourine, cowbell, and the shiny new synth they've lent me, whilst also warbling over the top and sporting an extremely sparkly disco ball-esque dress. The new single 'Lost For Words' is out on May 9th, and last weekend we shot the official music video, which features outfits and instruments in the style of various decades. 80s was particularly fun... Apparently my ability to keep a serious face is impressive. Must be those years of practice with my sister of who would win the game of 'whoever laughs first loses'.
I will of course let you know when the video is out! And if you can come along to the launch, it's May 9th at the Mining Institute in Newcastle upon Tyne. Keep an eye out for other future gigs too :)
Things are also going well with the Shoeshop Quartet girls, we may have seemed a little quiet as of late but we've been working hard on getting a new website together, which we will share with you soon along with some other little treats...
New Song Collaboration
Thanks to the wonders of the internet, I was approached on SoundCloud by a fellow musician, a producer based in Indonesia. We have been working on a co-write, which you can listen to a taster of here!
It's been an interesting experience writing in a new way, and something I would like to do more of. Give it a listen and let me know what you think of it so far :)
New Live Videos
Courtesy of Musical Allsorts Presents, here is a new live video of an old favourite track from my debut album - Neck of the Woods. Check out their other videos, lots of talented people on their and well made films - they even do reviews and shop sessions now - if you're a musician based in the North East definitely get in touch with these guys!
And finally...
Two silly videos of me and Jen Armstrong. Jen is a SUPER talented singer-songwriter, and one of my best friends in the whole world. She came to visit me a few weeks ago and we got a little, shall we say... giddy. Children of the 90s, you will appreciate this:
And if you have no idea what's going on in this last one, shame on you... go and watch some Father Ted now. RIGHT NOW. I apologise in advance for my accent. I am in fact half Irish - which must be why I sound so damn convincing....
ENJOY! And I will be in touch soon. And hit me up about those Emma Stevens tickets - TUESDAY APRIL 15TH AT THE CLUNY!
I'd
like to once again say a massive thank you to the people who have
made it happen - Liam Gaughan for recording and mixing the
track, Jonny from Softwhere for producing a spectacular video, Jon
Paylor for his photographic contributions, and finally my Dad for
sparking the idea and giving me an important starting place (the
title)! Here is the video - please share, and leave a comment to let us know what you think!
See
the post 'words, words, words' for the lyric.
For
those who are interested, here is some background of how I went about
writing, recording, and releasing the song.
The
writing process
It
was hard to know where to start. I decided to do some research
online, and immediately discovered a mass of heartbreaking stories -
just type "Typhoon Philippines baby" into Google and you'll
see what I mean. Stories of women having to walk for miles while in
labour just to get to the nearest makeshift clinics, with few medical
supplies, often with no power, clean water or proper lighting, some
even without a roof, fighting against the consistent rain with only a
tarp overhead. Stories of the struggle after the babies are born,
like exhausted parents having to use a handheld pump to help their
new born breathe as it is the only ventilation support available. But
heartwarming stories too, of 'miracle babies', and the couple who
named their son Yolando, the masculine version of Typhoon Yolanda -
"it's because we don't want to forget what we had to go through
and because we got another life" (father, Meller Balabog).
These
stories had a huge influence on what came to be 'Baby of the Storm',
as I have absolutely no personal experience of what life must be like
in the aftermath of such a massive natural disaster. I don't have
children of my own, but being an aunt and seeing my sisters give
their children everything that they possibly can, to give them the
best life that they can, provided me with the vital link that I
needed to relate the stories to something personal. I have tried my
best to put myself in the shoes of one of these mothers; it is always
challenging to write from someone else's perspective, and this is
certainly the most challenging song I have written so far. I have no experience of what life must me be like out there, nor do I have any children of my own; I do have several nieces and nephews though, so this was my strongest emotional connection to imagining a little bit of what these mothers, wanting the best for their child, might be feeling.
From there, I did some free writing, which led to my first chorus that I wrote sat on a train - it was catchy but horrendously cheesy. Still, a good starting place - a couple of the lines made it into the chorus as it is now! I started getting frustrated though, when I couldn't find anything to fit with the chorus that I had. So I played around with some chord progressions, and did a lyric writing exercise I have been experimenting with called 'object writing', which helps generate very sense-bound language. I ended up taking many of these initial phrases and using them to start each verse (such as "I wish the first sound you heard was laughter", "I wish the first face you saw was your father's", and so on). These phrases, along with the chord progression and bits of my original chorus, led to a brand new melody and the rest of the words. I wrote most of it sat on my bed and wouldn't let myself leave until I'd got it out!
Sadly, a more recent Google search has shown that the struggle continues into the new year for the babies and mothers born when the typhoon hit, and for pregnant women preparing to give birth now.
“Many [expectant mothers] have lost their homes. They are now living in unhygienic environments. There is still debris in many areas of Tacloban”
"The babies’ deaths were likely related to the health of their mothers rather than the lack of access to medical facilities… a shortage of adequate shelter and proper nutrition following the typhoon could have affected the pregnancies".
Once
I had the song, just a vocal and simple guitar accompaniment, I
left it at that to reflect the personal, intimate relationship
between a mother and child. Now I needed to record the song, and who
best to help than Liam Gaughan? He also recorded my album 'Take
Flight'. Liam is a fantastic engineer, and also very sensitive to
connecting the emotion of the song, which was of paramount importance
in this case. We simultaneously came up with the idea for the tune at
the start to be played by a music box, as it seemed so fitting. A bit
of editing and mixing followed, and that was that.
Next
up, I really wanted a music video, as a strong visual image could
lend itself to an even stronger emotional connection to the song's
message. If you have followed my music over the past few years you
will know I have collaborated a few times now with 'Softwhere', on
their songs and on my own. Rather than performing live, 'Softwhere'
put their songs to video, and have produced some really interesting
and moving videos. I couldn't think of anyone I would trust more to
making a fitting music video, and thankfully Jonny agreed. We both
decided it would be particularly powerful to include some real news
footage from the Philippines. Unfortunately I was unable to obtain
any video footage (copyright issues were an absolute nightmare), I
did manage to get access to lots of fantastic photographs, I owe a
huge thank you to Jon Paylor, a family friend who also happens to be
a Royal Marine, and took loads of great photos when they visited the
Philippines to help build shelters just before Christmas. And a big
thanks as well to all those photographers who made their pictures
available through Flickr Creative Commons (see video for individual
credits).
Release
The
next question was how to release the song. I have self-released music
twice before - my single 'Neck of the Woods', and then my album 'Take
Flight'. Both times I used standard digital distribution methods,
paying a small fee to get my music up for sale and streaming on the
likes of iTunes, Amazon, Spotify, and so on. But this time I didn't
want to do that, for a few reasons. First and foremost, I wanted the
charity to get as much money as possible, without a sizeable chunk
going to the stores (iTunes takes about a third, I believe). To
further this, I also wanted people to have the option of how much
they wanted to give, rather than pay a standard 79 pence. And, I
wanted the charity to get the money as quickly as possible - as
anyone who has ever self-released music will know, it takes several
months for you to even find out how many copies you have sold, let
alone get the money through for it. I also wanted people to feel
secure about where their money was going - directly to the charity -
rather than going through me first and then passed on.
I
did quite a bit of research into various options, and the best way to
achieve all these requirements was to set up a charitable giving
webpage, with the added bonus of Gift Aid. There are many to choose
from, and I looked into a few - Virgin Money was high up on the list
of the maximum amount going to charity, not that there was much in
it, then what sealed the deal was the page layout and the connection
with YouTube as I really wanted the option to embed the video on the
page.
So, that's it - and you can now visit the page! If
you donate as little as £1 (or as much as you like!), you will receive an automatic 'thank you' email containing a link to download the
song. Any support is appreciated. We can all do a little bit to help
these mothers, babies, and their families. PLEASE SHARE with others
you think may be interested in the cause. Thank you for your support! x x x
"Meghann you should write a song and call it 'Baby of the Storm' all the money to go to Philippines, what do you think?"
Typhoon Haiyan struck the Philippines on the 8th November 2013. The following week my Dad sent me the text you see above, after watching a news story about a baby being born amongst rubble in the aftermath of the storm.
What did I think? - Challenge accepted.
So, all I had to work off was a title, but that was a start.
I'm very pleased to announce that from that title, a song was born. I recorded it just before Christmas with Liam Gaughan (one of Newcastle's finest producers). Since then I have been working on the music video with massively talented filmmaker/musician Jonny from Softwhere. Everything is almost ready to go, and should be available in the next couple of weeks.
I just wanted to give you a heads up, and once it's out there in the world please, please share it with everyone you can - all proceeds are going to the Disasters Emergency Committee (DEC) - let's raise as much money as we can!
Details to follow about where you can view the video, donate and download the song.
We're all really excited to share it with you. For now, I leave you with an incredible photograph that we have been lucky enough to use in the video. Photo taken and passed on by Jon Paylor, just one of many he took on a recent trip to the Philippines with the Royal Marines.