Get it here!
http://uk.virginmoneygiving.com/MeghannClancy
I'd
like to once again say a massive thank you to the people who have
made it happen - Liam Gaughan for recording and mixing the
track, Jonny from Softwhere for producing a spectacular video, Jon
Paylor for his photographic contributions, and finally my Dad for
sparking the idea and giving me an important starting place (the
title)!
Here is the video - please share, and leave a comment to let us know what you think!
Here is the video - please share, and leave a comment to let us know what you think!
See
the post 'words, words, words' for the lyric.
For
those who are interested, here is some background of how I went about
writing, recording, and releasing the song.
The writing process
It
was hard to know where to start. I decided to do some research
online, and immediately discovered a mass of heartbreaking stories -
just type "Typhoon Philippines baby" into Google and you'll
see what I mean. Stories of women having to walk for miles while in
labour just to get to the nearest makeshift clinics, with few medical
supplies, often with no power, clean water or proper lighting, some
even without a roof, fighting against the consistent rain with only a
tarp overhead. Stories of the struggle after the babies are born,
like exhausted parents having to use a handheld pump to help their
new born breathe as it is the only ventilation support available. But
heartwarming stories too, of 'miracle babies', and the couple who
named their son Yolando, the masculine version of Typhoon Yolanda -
"it's because we don't want to forget what we had to go through
and because we got another life" (father, Meller Balabog).
These
stories had a huge influence on what came to be 'Baby of the Storm',
as I have absolutely no personal experience of what life must be like
in the aftermath of such a massive natural disaster. I don't have
children of my own, but being an aunt and seeing my sisters give
their children everything that they possibly can, to give them the
best life that they can, provided me with the vital link that I
needed to relate the stories to something personal. I have tried my
best to put myself in the shoes of one of these mothers; it is always
challenging to write from someone else's perspective, and this is
certainly the most challenging song I have written so far. I have no experience of what life must me be like out there, nor do I have any children of my own; I do have several nieces and nephews though, so this was my strongest emotional connection to imagining a little bit of what these mothers, wanting the best for their child, might be feeling.
From there, I did some free writing, which led to my first chorus that I wrote sat on a train - it was catchy but horrendously cheesy. Still, a good starting place - a couple of the lines made it into the chorus as it is now! I started getting frustrated though, when I couldn't find anything to fit with the chorus that I had. So I played around with some chord progressions, and did a lyric writing exercise I have been experimenting with called 'object writing', which helps generate very sense-bound language. I ended up taking many of these initial phrases and using them to start each verse (such as "I wish the first sound you heard was laughter", "I wish the first face you saw was your father's", and so on). These phrases, along with the chord progression and bits of my original chorus, led to a brand new melody and the rest of the words. I wrote most of it sat on my bed and wouldn't let myself leave until I'd got it out!
Sadly, a more recent Google search has shown that the struggle continues into the new year for the babies and mothers born when the typhoon hit, and for pregnant women preparing to give birth now.
“Many [expectant mothers] have lost their homes. They are now living in unhygienic environments. There is still debris in many areas of Tacloban”
"The babies’ deaths were likely related to the health of their mothers rather than the lack of access to medical facilities… a shortage of adequate shelter and proper nutrition following the typhoon could have affected the pregnancies".
Taken from an article by Chris Larano. Read in in full here.
Recording and Music Video
Once
I had the song, just a vocal and simple guitar accompaniment, I
left it at that to reflect the personal, intimate relationship
between a mother and child. Now I needed to record the song, and who
best to help than Liam Gaughan? He also recorded my album 'Take
Flight'. Liam is a fantastic engineer, and also very sensitive to
connecting the emotion of the song, which was of paramount importance
in this case. We simultaneously came up with the idea for the tune at
the start to be played by a music box, as it seemed so fitting. A bit
of editing and mixing followed, and that was that.
Next
up, I really wanted a music video, as a strong visual image could
lend itself to an even stronger emotional connection to the song's
message. If you have followed my music over the past few years you
will know I have collaborated a few times now with 'Softwhere', on
their songs and on my own. Rather than performing live, 'Softwhere'
put their songs to video, and have produced some really interesting
and moving videos. I couldn't think of anyone I would trust more to
making a fitting music video, and thankfully Jonny agreed. We both
decided it would be particularly powerful to include some real news
footage from the Philippines. Unfortunately I was unable to obtain
any video footage (copyright issues were an absolute nightmare), I
did manage to get access to lots of fantastic photographs, I owe a
huge thank you to Jon Paylor, a family friend who also happens to be
a Royal Marine, and took loads of great photos when they visited the
Philippines to help build shelters just before Christmas. And a big
thanks as well to all those photographers who made their pictures
available through Flickr Creative Commons (see video for individual
credits).
Release
The
next question was how to release the song. I have self-released music
twice before - my single 'Neck of the Woods', and then my album 'Take
Flight'. Both times I used standard digital distribution methods,
paying a small fee to get my music up for sale and streaming on the
likes of iTunes, Amazon, Spotify, and so on. But this time I didn't
want to do that, for a few reasons. First and foremost, I wanted the
charity to get as much money as possible, without a sizeable chunk
going to the stores (iTunes takes about a third, I believe). To
further this, I also wanted people to have the option of how much
they wanted to give, rather than pay a standard 79 pence. And, I
wanted the charity to get the money as quickly as possible - as
anyone who has ever self-released music will know, it takes several
months for you to even find out how many copies you have sold, let
alone get the money through for it. I also wanted people to feel
secure about where their money was going - directly to the charity -
rather than going through me first and then passed on.
I
did quite a bit of research into various options, and the best way to
achieve all these requirements was to set up a charitable giving
webpage, with the added bonus of Gift Aid. There are many to choose
from, and I looked into a few - Virgin Money was high up on the list
of the maximum amount going to charity, not that there was much in
it, then what sealed the deal was the page layout and the connection
with YouTube as I really wanted the option to embed the video on the
page.
So, that's it - and you can now visit the page! If
you donate as little as £1 (or as much as you like!), you will receive an automatic 'thank you' email containing a link to download the
song. Any support is appreciated. We can all do a little bit to help
these mothers, babies, and their families. PLEASE SHARE with others
you think may be interested in the cause. Thank you for your support! x x x
